Talk4Writing has revolutionised my approach to teaching writing…

No really it has. I can’t even remember how I used to teach writing before it. I don’t think I really did, I think I just told pupils to write and then what happened happened!

We are really lucky to be working with an amazing primary school who have introduced us to, and trained us to use, Pie Corbetts’ Talk4Writing. It has taken me a while to get to grips with it and how it needs to work in my classroom and in a secondary context, but now I have the results are amazing. I’ve got students who aren’t using full stops and capital letters, not only doing that but using semi colons, question marks, exclamation marks. They are writing using figurative language and linguistic techniques. And while this is amazing to see whilst they are doing a Talk4Writing piece, what has truly blown my mind is that I’m starting to see it crop up in their writing, even when it’s not a Talk4Writing piece. I’m definitely a convert.

For anyone who isn’t familiar, Talk4Writing is a process of internalising text structures and techniques so that they can then be used in writing. The two ways that I know to do this are through text mapping and boxing up.

I’m not entirely sold on boxing up, I can see it makes a difference in the short term but I can’t seem to see any long term effects yet. I would love to hear from anyone using it effectively – as I suspect it is mainly user error.

Text mapping, however, is phenomenal. I’ve learned that the key is to start with a high quality text and know exactly what it is you want your students to be working on. Quite often, I will write this text or adapt an existing one to ensure it contains what I need it to. I’ve found, more often than not, this is also quicker than endlessly searching for the perfect text.

Original Text Example

So once I have my text, in advance I sit down and decide which parts I’m going to keep as text, as these are the parts that won’t change, the essential elements of techniques that I want to students to learn. Then as a class we work through turning the rest into a text map, which is essentially a series of pictures that represent the words. All the time we are going over and chanting sentences/ sections as a class to help students memorise the map and internalise those structures. A really important part of this is verbalising the punctuation too.

Text Map Example

Once we have our map, we practice it until I am certain that all my students can remember it. The next step is I get them to write the map back into words and when I first did this it amazed me. I had a class writing all reciting the map to themselves and punctuation wasn’t forgotten because it was part of what they were reciting. It looked and sounded so strange, like they were speaking some strange language!

Turning the Text Map Back into Words Example

At this point all they have done is memorized and reproduced the text you started with. So now it’s time to start innovating. Decide which pictures you are going to allow pupils to change. You need to get their heads around that they can change the topic but not the structure. I’ve found this takes practice. Students then independantly create their own map, with new pictures. So, a story about a fairy becomes a story about a goblin. A description of a fairground becomes a description of a desert island etc. The important thing is to control what they can and cannot change. If you want them to learn and use similes but allow them to get rid of like/ as then it isn’t going to have the desired effect! One way of doing this is by covering up the parts they can change so that it becomes a blank part of the map.

Innovated Text Map Example

Now they have their own map they need to say it, internalise it and remember it before the final stage of writing it into a full text.

Innovated Text Example

The text they produce is highly scaffolded and obviously not a representation of what they can do independantly. However, what I’ve found is with practice, time and use things start to stick. And I’m starting to see the techniques and structures we practice through Talk4Writing appear in pieces that aren’t created through Talk4Writing. It’s that memorisation and internalisation of the techniques which means a week later when I say to my Y7s, ok write a radio advert, they know exactly what I mean, how it should sound and what needs to go into it. And what they produce is 100 times better than anything they would have done.

As a side note, the other thing I love about it is that students love it. They are so engaged with the process. I never have such good behaviour in my class as when I do Talk4Writing. And, as an added bonus, I love that once I have my text I don’t have to plan my lessons for the week!

I really do believe in the power of Talk4Writing and that it definitely has a place in the secondary curriculum. It is very time consuming and it isn’t the only way to effectively teach writing. But it does make a difference and I really think it’s worth exploring and investing some time in.

Thanks for reading.

Ms H Eng

Why I Love Young Adult Fiction…

I’ve been thinking about writing a teaching blog for a long time, but I’ve always been intimidated by all of you wonderful educators who have taught me so much since the beginning of my teaching journey. But then one of you, who has been a source of so much information and inspiration, told me to go for it – so here I am! I’m no expert and I’m no writer. I’m just sharing my experiences.

Anyone who knows me knows that all of my spare (and then some) income goes on two things. Holidays and Books. Lots of books. I buy books faster than I could ever read them (that’s not just me right?) and sometimes I buy books I will probably never read. But hey, they make me happy! I read all sorts of different books, but most of them fit broadly into three categories.

  1. Young adult fiction
  2. Weird fiction (I’ll elaborate on this one day)
  3. Non-fiction

I love all three. But I want to share my thoughts on young adult fiction.

It’s just good

I sometimes think of ‘young adult fiction’ as an unfair label. It is just fiction, and a lot of it is really good fiction. If I pick one up I seem to always find it difficult to put back down, I’m usually gripped after the first few pages and desperate to know what happens to the characters. The narratives always take interesting twists and turns and there is a surprising richness to the language. I know this is true of a lot of fiction, but that is my point. People often make wise cracks about me reading kids books, but they are no different to any other! A good story is a good story, no matter how you dress it up.

It makes me a better teacher

Ok, so it doesn’t exactly mean that when I am trying to teach ‘A Christmas Carol’ I’m much better at it, but it helps when it comes to getting pupils reading. When they come to me and ask for help finding a book, even if they have read everything I have, at least they know I’m interested in books that they read. It means we can converse about books and characters and there seems to be a real appreciation and excitement that I enjoy the same books as they do. It has got to the point where students are coming to me with recommendations because they know I get excited about it. Of course, it also helps with pupils who haven’t read those books, particularly students who might be more reluctant. If I can get excited about a book, or better yet, a series of books, then some of that passes on. Of course it isn’t a magic trick. It doesn’t suddenly mean all of my students are reading. But it definitely helps, and that can’t be a bad thing right?

It also helps in terms of making comparisons. I find that I can say ‘you know in Harry Potter when this happens? Well that’s…’ or even in finding texts and extracts. It fascinates me that we seem to teach very little YA fiction to students when so much of it is so brilliant and the language in it is great for analysis!

It is a bit of a brain break

While I maintain that the language, plot and characters are all interesting and full of depth, there is a certain easiness that comes with reading YA fiction. It might be full of depth but it doesn’t make my brain hurt like Margaret Atwood or Dickens. It makes it quick and gives my brain a rest, which is exactly what I need during term time! I find flip flopping between YA and on YA to be the best way!

If its not something that already lines your bookshelves, its got to be worth a try right? The best I have read in the last year have got to be:

  1. The Explorer by Katherine Rundell
  2. The Hate U Give by Angie Thomas
  3. Long Way Down by Jason Reynolds
  4. The Divergent Trilogy by Veronica Roth

Thanks for reading

Ms H